Ocala Symphony Orchestra
Matthew Wardell

MATTHEW WARDELL (b. 1983) is a dynamic conductor who brings boundless energy and compelling storytelling to every performance. Based in Washington, DC, he is known for his ability to unlock passion in live performances and create deep emotional connections with audiences. Wardell’s commitment to programming—recognized in 2024 when he won the Vytautas Marijosius Memorial Award in Orchestral Programming from The American Prize—spans from unearthing hidden repertoire gems and championing overlooked composers to presenting bold new works alongside the masterpieces of the canon. His performances are marked by what audiences describe as “unabashed enthusiasm” and “youthful energy,” with patrons regularly noting that “he and the orchestra never cease to amaze.”
Currently in his 17th season as Music Director of the Ocala Symphony Orchestra—which composer Michael Daugherty called the “hardest working orchestra in Florida”—Wardell has established himself as a sought-after guest conductor with recent appearances leading the Jacksonville Symphony, the Florida Orchestra, Chamber Orchestra Pittsburgh, the Southwest Florida Symphony Orchestra, the New England Philharmonic, the Gainesville Orchestra, and the Pioneer Valley Symphony Orchestra. When Matthew was appointed Music Director of the Ocala Symphony Orchestra, the Ocala Star Banner declared that “Wardell brings an impressive resume of musical and conducting training … Maybe more important than his musical credentials is Wardell’s youthful enthusiasm and unabashed zest … Wardell is not only a daring and dynamic choice as the Ocala Symphony Orchestra’s new conductor, but a smart one.”
On the podium, Maestro Wardell has conducted more than 520 works across 310 live performances. His repertoire encompasses core orchestral works from all periods, concerti for voice and nearly every instrument, extensive pops offerings, and film and multimedia works. He is particularly committed to the purposeful inclusion of underrepresented and living composers, having led world and United States premieres from composers such as Michael Daugherty, María de Pablos, Paul Richards, Stella Sung, and Jenni Brandon. Wardell has developed deep experience in live-to-film conducting, having led more than a dozen productions including upcoming performances of Star Wars: The Return of the Jedi and Disney’s Aladdin in Concert.
From the opera pit, Wardell has led 19 staged productions of large-scale opera, musical theatre, and ballet works including La Boheme, Bartók’s Miraculous Mandarin, Così fan tutte, Sunday in the Park with George, Carmina Burana, A Little Night Music, and Sweeney Todd. His ability to rise to any artistic challenge was dramatically demonstrated when he conducted two performances of Puccini’s Tosca with only one day’s notice. Critics hailed the performances as “first-rate” and “inspiring,” calling his last-minute substitution a “magnificent feat … when the stakes were high, Mr. Wardell came through brilliantly and proved his mettle.”
Born in Jacksonville, Florida, Wardell holds a Doctor of Musical Arts (2022) and Master of Music (2010) from the University of Florida, where he studied with his mentor Dr. Raymond Chobaz, and a Bachelor of Music cum laude (2007) from the University of North Florida, where he worked under Charlotte Mabrey. He spent five summers at the Pierre Monteux School for Conductors and Orchestra Musicians in Hancock, Maine, where he studied with renowned conducting teacher Michael Jinbo and was recognized as both an Osher and Quimby Family Foundation scholar. Wardell has participated in master classes with Keith Lockhart of the Boston Pops and studied with conductor and composer Peter WesenAuer in Salzburg, Austria.
Learn more at https://www.matthewwardell.com/
Matthew Wardell is a dynamic conductor who brings boundless energy and compelling storytelling to every performance. Based in Washington, DC, he is known for his ability to unlock passion in live performances and create deep emotional connections with audiences. Wardell’s commitment to programming—recognized in 2024 when he won the Vytautas Marijosius Memorial Award in Orchestral Programming from The American Prize—spans from unearthing hidden repertoire gems and championing overlooked composers to presenting bold new works alongside the masterpieces of the canon. His performances are marked by what audiences describe as “unabashed enthusiasm” and “youthful energy,” with patrons regularly noting that “he and the orchestra never cease to amaze.”
Currently in his 17th season as Music Director of the Ocala Symphony Orchestra—which composer Michael Daugherty called the “hardest working orchestra in Florida”—Wardell has established himself as a sought-after guest conductor with recent appearances leading the Jacksonville Symphony, the Florida Orchestra, Chamber Orchestra Pittsburgh, the Southwest Florida Symphony Orchestra, the New England Philharmonic, the Gainesville Orchestra, and the Pioneer Valley Symphony Orchestra. When Matthew was appointed Music Director of the Ocala Symphony Orchestra, the Ocala Star Banner declared that “Wardell brings an impressive resume of musical and conducting training … Maybe more important than his musical credentials is Wardell’s youthful enthusiasm and unabashed zest … Wardell is not only a daring and dynamic choice as the Ocala Symphony Orchestra’s new conductor, but a smart one.”
On the podium, Maestro Wardell has conducted more than 520 works across 310 live performances. His repertoire encompasses core orchestral works from all periods, concerti for voice and nearly every instrument, extensive pops offerings, and film and multimedia works. He is particularly committed to the purposeful inclusion of underrepresented and living composers, having led world and United States premieres from composers such as Michael Daugherty, María de Pablos, Paul Richards, Stella Sung, and Jenni Brandon. Wardell has developed deep experience in live-to-film conducting, having led more than a dozen productions including upcoming performances of Star Wars: The Empire Strikes Back and Disney’s Aladdin in Concert.
From the opera pit, Wardell has led 19 staged productions of large-scale opera, musical theatre, and ballet works including La Boheme, Bartók’s Miraculous Mandarin, Così fan tutte, Sunday in the Park with George, Carmina Burana, A Little Night Music, and Sweeney Todd. His ability to rise to any artistic challenge was dramatically demonstrated when he conducted two performances of Puccini’s Tosca with only one day’s notice. Critics hailed the performances as “first-rate” and “inspiring,” calling his last-minute substitution a “magnificent feat … when the stakes were high, Mr. Wardell came through brilliantly and proved his mettle.”
Born in Jacksonville, Florida, Wardell holds a Doctor of Musical Arts (2022) and Master of Music (2010) from the University of Florida, where he studied with his mentor Dr. Raymond Chobaz, and a Bachelor of Music cum laude (2007) from the University of North Florida, where he worked under Charlotte Mabrey. He spent five summers at the Pierre Monteux School for Conductors and Orchestra Musicians in Hancock, Maine, where he studied with renowned conducting teacher Michael Jinbo and was recognized as both an Osher and Quimby Family Foundation scholar. Wardell has participated in master classes with Keith Lockhart of the Boston Pops and studied with conductor and composer Peter WesenAuer in Salzburg, Austria.
Raymond Chobaz, Professor of Music and Conductor Laureate of the Gainesville Symphony Orchestra
Raymond will conduct “Vive la France!” in January, 2025.
Raymond Chobaz holds the Provost’s UF Term Professorship and is music director and conductor of the University of Florida Symphony Orchestra and conductor of Dance Alive National Ballet. He holds a Bachelor of Science degree in physics and mathematics summa cum laude, and a Master of Arts degree in music theory. As an International Rotary Scholar at the University of Utah, he received both a Master of Music degree in orchestral conducting and a Ph.D. in music composition under Vladimir Ussachevsky. Post-doctoral studies allowed him to assist and work with Herbert Blomstedt in San Francisco, Kyrill Kondrashin in Amsterdam, Raphael Kubelik in Lucerne, Erich Leinsdorf in New York, Witold Rowicki in Vienna, Georg Tintner in Prague, and Pierre Boulez in Basel and Paris.
Chobaz is the recipient of numerous federal grants, scholarships, awards, and first prizes in both composition and conducting, which include the Leroy Robertson, Intercollegiate Bicentennial Composition Competition, Utah Composers Guild, Paul Sacher Stiftung, Martha Baird Rockefeller, Blomstedt International Conducting Award for Orchestral Performance and Symphonic Literature, the Beethoven Festival in Marienbad, and Czech National Opera and Radio Prague International Conducting Competition. As the top winner, he was invited to conduct all major symphony orchestras and opera companies in the Czech Republic and appointed conductor-in-residence of the Bohuslav Martinu Philharmonic, the Marienbad International Music Festival with the West Bohemian National Orchestra, and the annual International Composition Workshop with the Olomouc Symphony Orchestra.
In recognition of his national and international accomplishments, Chobaz has received grants for Advanced Research in Music Performance from the International Research and Exchanges Board in Washington, D.C., US Department of Education, US Information Agency, US Department of State, US Army, National Aeronautics and Space Administration (NASA), National Endowment for the Humanities, National Endowment for the Arts, and International Symphonic Workshops, Canada. Additionally, he has received various grants from the Florida Department of Cultural Affairs, which included the official representation of the State of Florida with Dance Alive National Ballet at the International Ballet Festival in Havana, Cuba, Florida Sea Grant, a special Research Leave by the Office of the Provost to work with Prof. Richard Ernst, Nobel Prize Laureate, at the Swiss Institute of Technology (ETH) in Zurich, and most recently, both a Distinguished Alumnus and Lifetime Achievement Award from the University of Utah. This past fall, Dr. Chobaz has also been asked to take over the Florida Symphony Youth Orchestra in Orlando.
During his tenure at the University of Florida, Chobaz has founded the Gainesville Symphony Orchestra and provided many new experiences for his students with internationally known artists, first-time ballet and opera productions, television and radio broadcasts, children’s and pops concerts, multi-media and interdisciplinary collaborations with painters, poets, writers, dancers, and ethnic ensembles, commissions and first performances that earned the orchestra an ASCAP Nissim Award for innovative programing.
Featured in “Rhythmic Tides” this February on the organ.
Joshua L. Mazur, Conductor, enjoys a budding career as a singer, conductor, and educator. Most recently featured in the tenor roles of Don Jose (Valdosta State University Guest Artist) and The Phantom (Ocala Symphony Orchestra) he was seen previously in principal baritone roles such as Silvio (Imperial Symphony Orchestra) and Gianni Schicchi (Florida Southern College Opera Theater). He has sung on masterclasses for such artists as Stella Zambalis, Mark Thomsen, Thomas Potter, Victoria Livengood, and Jennifer Larmore. He won the TBNATS “Most Promising Male Singer” award three consecutive years and was the Florida state winner of the NATS Artist Award in 2014.
In addition to his work as a singer, Joshua is an accomplished pianist. He serves Abiding Savior Lutheran Church in Gainesville, Florida as Director of Music Ministry and Organist as well as the Ocala Symphony Orchestra Chorus and Capella Nova, Inc. as Music Director and Conductor.
Joshua has composed music for choirs and orchestras as well as scored soundtrack music for the films AFTER MIDNIGHT (2016) and I JUST CALLED TO SAY I LOVED YOU (2018). In 2011 he recorded vocals to the soundtrack for THE VOICES OF MARIEL, a film about the participants of the Mariel boat lift in 1980. The film was screened at several national film festivals to great critical acclaim. He is published exclusively by Musicspoke.
Mr. Mazur holds a Bachelors degree in Voice Performance from Florida Southern College and a Masters degree in Voice Performance and Conducting from the University of Florida.
Abigail Mistretta has recently been appointed as one of the Assistant Conductors of the Ocala Symphony Orchestra (OSO) under Maestro Matthew Wardell for the 2022-2023 season. Born in Ohio but raised along the Florida Gulf Coast, she considers herself a Florida native. Abigail eventually moved east to Gainesville where she studied at the University of Florida. She received her Master of Music degree in Instrumental Conducting with a concentration in Clarinet Performance in the spring of 2022. There she studied under the mentors of Dr. David Waybright, Dr. Raymond Chobaz, Professor Jay Watkins, Dr. Chip Birkner, and Clarinet Professor, Mitchell Estrin. While completing her graduate degree, she served as a teaching assistant with the University of Florida (UF) Clarinet Ensemble, Wind Symphony, Symphonic Band, Concert Band, and Gator Marching Band. She has had multiple appearances as a guest conductor with the UF Symphony Orchestra, Wind Symphony, Chamber Winds, and Symphonic Band. With these ensembles she rehearsed and performed a wide variety of musical literature by composers such as Leonard Bernstein and John Williams. She also has extensive experience performing chamber music such as Serenade No. 44 in D minor by Antonin Dvorak, Octet by Igor Stravinsky, and an arrangement of W.A. Mozart’s Le Nozze di Figaro for chamber winds. Abigail, also, actively served as the Conductor and Assistant Music Director for the Clarinet Ensemble under Professor Estrin. Abigail received her Bachelor of Instrumental Music Education, summa cum laude, in May of 2020 from the University of Florida. During her time there, she performed on both Bb and bass clarinet in the Wind Symphony, Symphonic Band, University Symphony Orchestra, and in the Clarinet Ensemble. In the summer of 2019, she had the opportunity to travel to France with the Wind Symphony as the principal bass clarinetist; there the group performed in the Festival des Anches d’Azur in La Croix-Valmer, a festival dedicated to bringing international ensembles together to make music along the Bay of Saint-Tropez.
In addition to her assignment with the OSO, Abigail has recently accepted the position of Associate Band Director of Freedom High School located in Orlando, where she works with Dr. Michael Antmann. Her duties consist of directing the Symphonic Band, and co-instructing the marching band and jazz ensembles. Prior to working in Orlando, Abigail has also worked with students at both the intermediate and collegiate level in the Florida Panhandle, Central Florida, and North Carolina. She is also an active performer, serving as the clarinetist in the OSO’s Wind Quintet and freelancing in both wind ensembles and orchestras around central Florida. Abigail has a passion for the orchestral genre, and the power generated by the symphony orchestra. Exposure to performing orchestral literature in college ignited an interest that was followed by opportunities to study with Dr. Raymond Chobaz and Dr. Matthew Wardell. She has always admired the work and sound of the OSO, and is thrilled to be joining the orchestra. Abigail is looking forward to working with Maestro Wardell and Maestro Mazur, bringing forth a wonderful season of music.
Kathryn Poore has been teaching private violin and viola lessons since 1998, and has been playing viola in professional orchestras since graduating high school in 2001 as a core member and sub. She is currently the Personnel Manager and Principal Violist of the Ocala Symphony Orchestra. She has a Master of Music in Viola Performance from the University of Georgia, and a Bachelor of Music Performance, magna cum laude, from Columbus State University. Kathryn has also attended the prestigious Aspen Music Festival and School, 2003. As an instructor, Kathryn teaches each student as an individual. Everyone learns differently, and Kathryn really enjoys structuring lessons to best meet the needs of the individual. In addition to The Music Den, Kathryn also teaches lessons at Stetson University’s Community School of Music.
The Ocala Symphony Chorus
Learn and perform together with other volunteer singers from the Ocala area this 2025-2026 season! Members of the symphony chorus are committed to the joy and challenges of choral art including the presentation of important musical works and the healthy camaraderie of their preparation. You are invited to join us! Audition information coming soon.
Rehearsal Locations: Reilly Arts Center Mainstage (500 NE 9th St.)
Dues: Dues to sing in the 2024-2025 season are $100 per singer and will be collected the first few weeks of rehearsal. Please bring a check payable to Ocala Symphony Orchestra or cash. It is expected that singers will participate in both concerts and the rehearsals that are affiliated with them.
About The Ocala Symphony Chorus
The Ocala Symphony Chorus is an auditioned volunteer chorus of about 80 singers committed to the pursuit of world class choral performances that shine with the loving care and preparation of folks living right here in the N. Florida area. In addition to the annual production of Handel’s Masterpiece “Messiah,” the chorus sings with the Ocala Symphony from time to time on summer patriotic concerts, POPS goes the Holidays, and in special performances of works such as Whitacre’s “Godzilla Eats Las Vegas”.
Leading the chorus is Maestro Joshua L. Mazur, who has led the chorus since 2017. From Gainesville, Florida Mr. Mazur is the Director of Music Ministry at Abiding Savior Lutheran Church and the Director of Capella Nova, Gainesville.
Featured in “Rhythmic Tides” this February on the organ.
Joshua L. Mazur, Conductor, enjoys a budding career as a singer, conductor, and educator. Most recently featured in the tenor roles of Don Jose (Valdosta State University Guest Artist) and The Phantom (Ocala Symphony Orchestra) he was seen previously in principal baritone roles such as Silvio (Imperial Symphony Orchestra) and Gianni Schicchi (Florida Southern College Opera Theater). He has sung on masterclasses for such artists as Stella Zambalis, Mark Thomsen, Thomas Potter, Victoria Livengood, and Jennifer Larmore. He won the TBNATS “Most Promising Male Singer” award three consecutive years and was the Florida state winner of the NATS Artist Award in 2014.
In addition to his work as a singer, Joshua is an accomplished pianist. He serves Abiding Savior Lutheran Church in Gainesville, Florida as Director of Music Ministry and Organist as well as the Ocala Symphony Orchestra Chorus and Capella Nova, Inc. as Music Director and Conductor.
Joshua has composed music for choirs and orchestras as well as scored soundtrack music for the films AFTER MIDNIGHT (2016) and I JUST CALLED TO SAY I LOVED YOU (2018). In 2011 he recorded vocals to the soundtrack for THE VOICES OF MARIEL, a film about the participants of the Mariel boat lift in 1980. The film was screened at several national film festivals to great critical acclaim. He is published exclusively by Musicspoke.
Mr. Mazur holds a Bachelors degree in Voice Performance from Florida Southern College and a Masters degree in Voice Performance and Conducting from the University of Florida.
Ocala Symphony Orchestra Musician Auditions 2025-2026
Click here for audition details.
Should you have any questions or concerns regarding the auditions, please reach out to OSO Personnel Manager, Kathryn Poore, at Personnel@ocalasymphony.com
Symphony for Schools
Each school year more than 10,000 students are visited through our Symphony for Schools program.
The Symphony for Schools program takes professional musicians into Marion County classrooms for a 30-minute fun and educational presentation. Our musicians demonstrate orchestral instruments, perform sections of pieces from Mozart to Moana, and get the students involved! The goal of the presentation is to give students an insight into the fun and empowering feelings that music and playing a musical instrument can bring. Are you interested in bringing Symphony for Schools to your school? Contact Margaret@reillyartscenter.com.

Our OSO Musician Spotlights
You’ve seen them up on stage, you’ve heard them play, but now get to know a little bit more about our talented OSO musicians!
Pamela Mireles – Violin
Margaret Dixon – Horn
Masatoshi Enomoto – Percussion
Sonya Leonore Stahl – Violin
Joshua Mazur – Chorus Conductor
Support the Ocala Symphony Orchestra
Arts for our Veterans
The Reilly partners with Vet Tix and Vets Helping Vets to provide complimentary tickets for Marion County veterans to performances that include rock, jazz, theatre, orchestra and more! Each July veterans are honored during our Red, White and OSO Blue: A Salute to Independence concert.
Symphony for Schools
Each season, the OSO visits Marion County Elementary students for a curated music presentation. Students learn about the orchestra, hear instrument demonstrations and are welcomed to ask questions about music!
Community Ticket Program
Through the Community ticket program, the Reilly gives tickets to local nonprofits so they can share the power of music with their clients and staff.
Young Artist Competition
This competition invites promising young musicians from across the country to compete for the title of Young Artist Winner. Winners from the Junior and Senior categories go on to perform their concerto with the OSO at a Spring Subscription performance and receive a $1,000 cash prize.
Open Rehearsals for Students and Families
Open rehearsals invite students and families to the Reilly Arts Center for free pizza, soda and an exciting behind-the-scenes experience as they join the OSO and Maestro Matthew Wardell during their final rehearsal before a weekend of concerts!
Program Ads for the Ocala Symphony Orchestra
We have an exciting opportunity to promote your business while supporting your Ocala Symphony Orchestra with a program ad starting from $375 for the entire year!
Our upcoming 50th anniversary season has 6 subscription concerts (held October through April) where your business can be promoted to more than 6,000 individuals throughout the year. This year is full of dynamic programming, incredible guests and music you know and love – learn more about the season here. Placing an ad in our concert program, not only shares your public support and partnership with your orchestra, but it also can generate hundreds of new customers!
“I have been pleasantly surprised by the traction we have had with our ad in the symphony program. In a very short amount of time, we had clients coming into our agency, stating they saw our ad in the program. We had quick turnaround sales as well. The partnership lends credibility to our business and that is a wonderful benefit of the relationship with the symphony.” – Sheri Mruz, Directions Luxury Travel
If you place a program ad we will also recognize you in our preshow slides before each subscription orchestra concert.
2025-2026 Program Ad Pricing
We know the value of colorful, well placed ad can have for your business. In designing this season’s program booklets we have reduced the number of pages for a leaner look, carefully selecting only the most relevant content and ensuring the best ad placement for our sponsorship.
These high-value, high-visibility levels come with two complimentary season tickets to the 2025-2026 OSO Season, and additional recognition in all Special Concerts throughout the calendar year.
Inside Front Cover – Full Page/Full Color (4.5″W X 7.5″H) – $2,500
Inside Back Cover – Full Page/Full Color (4.5″W X 7.5″H) – $2,500
A limited number of full, half and quarter page ads are also available. These ads are strictly ad space, no additional benefits apply.
Full Page Ad – B/W (4.5″W X 7.5″H) – $1,500
Half Page Horizontal Ad – B/W (4.5″ X 3 5/8″) – $750
Quarter Page Horizontal Ad – B/W (4.5″ X 1 7/8″) – $375
To inquire about availability, or with questions, please contact Natalie McComb, Executive Director, at natalie@reillyartscenter.com or call 352-351-1606 ext. 102. Designed ad files must be submitted via email as a high-resolution png or jpg to sally@reillyartscenter.com.





